Arts
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‘Golden Bachelor’ Brings Something New to the Mansion: Grief
When “The Bachelor” squeezes widows and widowers through its melodrama machine, the franchise finally finds true heartbreak.
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The Passion of Adèle Haenel, an Artist of Fierce Political Conviction
Haenel, working with the choreographer-director Gisèle Vienne in “L’Étang,” is trying to “pierce through the surface of things.”
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Ann Philbin, Who Remade L.A.’s Hammer Museum, to Step Down
In nearly 25 years at the helm, Philbin helped transform the museum and elevate its reputation, and left a mark on the cultural landscape of Los Angeles.
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‘Helen.’ Review: A Restless Heroine Tired of Abiding by Gender Roles
At La MaMa, Caitlin George’s new play uses comedy to counter the legend of Helen of Troy.
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Women of ‘Groundswell’: Thinking Outside the Spiral
Revisiting the land artists at the Nasher Sculpture Center, a critic finds their work was never more relevant than it is today.
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‘What the Constitution Means to Me’ Is This Season’s Most-Staged Play
Heidi Schreck’s play will have at least 16 productions around the country; last season’s most-produced play, “Clyde’s,” came in second.
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Review: Laurie Anderson Gets Back to Having a Good Time
With the jazz combo Sexmob, this enduring avant-gardist revisited vintage and recent songs with a grooving spirit.
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Camaraderie and Visibility: A Festival for Black Classical Musicians
“You feel like you’re home,” a bassoonist said of the Gateways Music Festival, which for 30 years has provided Black musicians with performing opportunities.
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Review: ‘Scavengers Reign’ Is a Gorgeous, Hypnotic Space Trip
Max’s animated sci-fi saga imagines a bizarre ecosystem in which humans are the invasive species.
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Still Mourning Takeoff’s Death, Quavo Steps Out Alone
It’s odd to hear Quavo have to search for the right words. As one-third of the rap group Migos, Quavious Marshall rose to chart-topping prominence in the last decade by verbalizing hip-hop’s stickiest choruses and most satisfyingly inane ad-libs ...