Arts
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For a Film About Korean Adoptees, a Group Effort
In “Return to Seoul,” a Parisian repeatedly visits her birth country. Neither the filmmaker nor the star were adopted, but they got help from friends.
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Was This Washington Portrait Really by Charles Peale? Experts Took a Look.
The authenticity of the painting, which was seized by the British Navy during the Revolutionary War, had been questioned because of overpainting and gaps in its provenance.
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Beauty in the Aftermath
Documenting the recovery of a Chinese spy balloon off South Carolina, a Navy photographer produced some spectacular images with surprising art-historical undercurrents.
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Art Fair Visitor Breaks a Jeff Koons Balloon Dog Sculpture
A woman accidentally knocked over a bright blue dog sculpture at Art Wynwood in Miami, causing the $42,000 artwork to shatter, witnesses said.
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Review: In ‘The Wanderers,’ Two Marriages and a Movie Star
Anna Ziegler’s play about an Orthodox couple in the 1970s and an unorthodox one in the 2010s explores the limits of longing.
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Thaddeus Mosley Never Stopped Working
Thaddeus Mosley wears his 96 years with panache. He doesn’t move 250-pound logs around his crowded Pittsburgh studio by himself anymore. But it’s not because he’s stopped working, or hired an assistant — he’s just making his abstract, treelike ...
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Milo Ventimiglia on the ‘Honest Deception’ of ‘The Company You Keep’
In his first regular TV role since the hit series “This Is Us,” the actor plays a character who is himself a kind of actor: a charming con man.
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‘Ant-Man and the Wasp: Quantumania’ Review: Splat
The latest installment in the Marvel franchise never takes flight despite its hard-working cast, led by Paul Rudd and a new villain played by Jonathan Majors.
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‘Emily’ Review: A Brontë Sister’s Savage, Hardy and Free Life
Blending fact with generous, liberating fiction, the director Frances O’Connor brings the author of “Wuthering Heights” to pleasurable life.
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Ming Smith’s Poetic Blur
This streetlight mystic shows her painterly photography at MoMA in an archive that celebrates long exposures and perceptual improvisation.